“The UK and Ireland’s largest photographic festival is back.”
-British Journal of Photography
Early bird: £22 per entry, until 11:59pm GMT on 11 December 2026
Standard: £26 per entry, until 11:59pm GMT on 5 February 2027
Open to photographers and lens-based artists everywhere. There’s no set theme: our jury welcomes work of any subject, concept or approach, from documentary to conceptual, and from photographic series to photobooks. We’re looking for original, distinctive bodies of work for public exhibition.
The Judges
Meet the influential jury for the Belfast Photo Festival 2027 Open Submission, featuring leading photography professionals from renowned institutions and publications. Bringing together a wealth of expertise and diverse perspectives, our judges will review submissions from photographers around the world.
Charmaine Toh
Head of Curatorial, Tate Modern (London, UK)
Dr Charmaine Toh is Acting Head of Curatorial at Tate Modern, where she also oversees its photography…
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… collection. Her research has focused on alternative histories of photography. At Tate, she worked on the collection displays of Josef Koudelka, Hiroshi Sugimoto and Ishiuchi Miyako and curated Light & Magic: The Birth of Art Photography, an exhibition on global pictorialism. In her former role as Senior Curator at National Gallery Singapore, she curated Living Pictures: Photography in Southeast Asia (2022), which was the first major survey of photography in the region. She was co-curator of the Singapore Biennale (2013) and the author of Imagining Singapore: Pictorial Photography from the 1950s to the 1970s (Brill, 2023). She is currently researching the impact of new technology on expanded photographic practices.
Roxana Marcoci
Chief Curator, MoMA (New York, USA)
Dr Charmaine Toh is Acting Head of Curatorial at Tate Modern, where she also oversees …
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… its photography collection. Her research has focused on alternative histories of photography. At Tate, she worked on the collection displays of Josef Koudelka, Hiroshi Sugimoto and Ishiuchi Miyako and curated Light & Magic: The Birth of Art Photography, an exhibition on global pictorialism. In her former role as Senior Curator at National Gallery Singapore, she curated Living Pictures: Photography in Southeast Asia (2022), which was the first major survey of photography in the region. She was co-curator of the Singapore Biennale (2013) and the author of Imagining Singapore: Pictorial Photography from the 1950s to the 1970s (Brill, 2023). She is currently researching the impact of new technology on expanded photographic practices.
Alessia Glaviano
Head of Global PhotoVogue (Milan, Italy)
Alessia Glaviano is the Head of Global PhotoVogue and Director of the PhotoVogue Festival. After joining …
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… Vogue Italia in 2001 and shaping its visual identity as Visual Director, she transitioned in 2022 to focus solely on leading PhotoVogue. In this role, she collaborates with all Vogue editions worldwide, championing both emerging and established photographers. Under her leadership, PhotoVogue has become an industry-leading platform. Glaviano also oversees the PhotoVogue Festival, the first conscious fashion photography festival. She regularly lectures at top institutions and serves on juries for major international photography awards.
Mikko Takkunen
Head of Curatorial (TATE Modern, London, UK)
Mikko Takkunen is a photo editor at The New York Times’s International desk, where he handles assignments …
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… and editing for stories from Africa, the Arabian Peninsula, Afghanistan and Pakistan. He is also a photographer whose first monograph, Hong Kong, was published in 2024. His work is represented by The Hulett Collection. Originally from Kontiolahti, Finland, he now lives in New York City.
Florian Ebner
Head of Photography, Centre Pompidou (Paris, France)
Florian Ebner is Head of the Photography Department at the Centre Pompidou in Paris. Previously, he directed the …
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… Photography Collection at Museum Folkwang in Essen and curated the German Pavilion at the 56th Venice Biennale (2015). His curatorial work examines the social and political dimensions of photography, highlighting the medium’s role within contemporary visual culture. Recent exhibitions include Hito Steyerl: I Will Survive. Physical and Virtual Spaces, Centre Pompidou, 2021 (with Marcella Lista); Germany / 1920s / New Objectivity / August Sander, Centre Pompidou, 2022 (with Angela Lampe); and Wolfgang Tillmans: Nothing Could Have Prepared Us – Everything Could Have Prepared Us, Centre Pompidou, 2025. Born in Regensburg, he lives and works in Paris and Essen.
Laura Ligari
Co-Director, International Photography Festivals Association (Barcelona, Spain)
Laura Ligari co-directs the International Photography Festivals Association (IPFA), set up in 2025 to connect …
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… more than 100 photography festivals across five continents. IPFA also runs the Experimental Photo Festival and Ágora, School of Experimentation in Barcelona. Through her photographic practice and dedicated support of emerging artists, she seeks to foster inclusivity and create inspiring and meaningful spaces of empathy through art.
Michael Weir
Founder and CEO, Belfast Photo Festival (Belfast, UK / Ireland)
Michael founded Belfast Photo Festival in 2009 and has since initiated as well as curated numerous commissions…
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… on exhibitions of contemporary art with a particular focus on photography. He curates a varied programme of artist talks, conferences, workshops, films and exhibitions, which has previously included artists such as Ai Weiwei, Alec Soth, Roger Ballen and Robert Mapplethorpe. He nominates and judges for a number of international awards, including the Prix Pictet (London), ICP Infinity Awards (New York) and SIFEST (Bologna), as well as reviews internationally.
“For 15 years Belfast Photo Festival has enriched cultural life within the city, showcasing incredible works of art in memorable and often unexpected places. The festival celebrates some of the very best of our local, contemporary artists, as well as the opportunity to view work from acclaimed international photographers.”
-Joanna Johnston, Visual Arts and Collections Officer, Arts Council of Northern Ireland
Exhibition at Botanic Gardens.
Exhibition at City Hall.
About
A world-class jury from Tate, MoMA, Centre Pompidou, The New York Times, PhotoVogue & IPFA selects artists for exhibitions, awards, press and promotion to 32K+ followers. Open to all, no set theme.
Belfast Photo Festival’s 2027 Open Submission is open to photographers and lens-based artists everywhere. There’s no set theme: our jury welcomes work of any subject, concept or approach, from documentary to conceptual, and from photographic series to photobooks. We’re looking for original, distinctive bodies of work for public exhibition.
Early bird: £22 per entry, until 11:59pm GMT on 11 December 2026
Standard: £26 per entry, until 11:59pm GMT on 5 February 2027
Every eligible entrant receives:
Review of your work by an international jury
A chance to be featured to our 30,000+ followers while the call is open, as part of our Instagram residency scheme
A discount on our 2027 International Portfolio Review
10–15 selected artists receive:
Exhibition: your work produced as large-format prints by Belfast Photo Festival and exhibited across Belfast, 3–27 June 2027. Seen by over 100,000 people in 2026, as verified by our evaluation team
Travel support: a contribution towards travel to our festival opening, with visa invitation letters provided where needed
Partner exhibition: produced by Photo Schweiz in Switzerland
Online: a dedicated artist page and gallery on the festival website, which had 39,000 verified visitors during the 2026 festival
Email: your selection sent to 13,000+ engaged subscribers worldwide
Social media: your selection announced to 30,000+ followers across Instagram, Facebook and LinkedIn. Our 2026 selected-artists announcement was the festival’s best-performing social post, reaching a confirmed 26,900 people
Instagram residency: a guaranteed place in our residency scheme
Press: your name in our press campaign. In 2026 the festival received 61 pieces of coverage with 5.59 million views, including The Guardian, BBC, Creative Review, PetaPixel and many more
Print: a listing in the festival programme, with 10,000 copies distributed across Belfast
Reach report: after the festival, we’ll send you figures showing how many people saw your work
“One of the best photography festivals in the world.”
Capture Magazine
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Open to photographers, artists, curators, archives and collectives worldwide, aged 16 or over. Entrants aged 16 or 17 need the consent of a parent or guardian. Entry is open at any career stage, and no membership or affiliation is needed.
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Entries must be photographic or lens-based, and can be combined with other art forms such as performance, painting, sculpture, film, music or literature. Previously exhibited, published or awarded work is welcome, and so is work in progress.
Projects: individuals and collectives can enter 1–15 images from a series, a completed project or a body of work in development. Installation shots are welcome but count towards the 15 images.
Photobooks: authors and publishers can enter a photobook by uploading a PDF proof, plus a cover image.
More than one entry: you can enter as many projects or photobooks as you like. Each is a separate entry with its own fee.
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Eligibility. Our team checks that every entry meets the entry rules and terms and conditions.
Independent scoring. Every juror sees every eligible entry and scores it independently on originality, quality of image-making, strength of concept and suitability for public exhibition, drawing on their own professional expertise.
Shortlist and final selection. The highest-scoring entries are shortlisted and discussed by the full jury, who select 10–15 artists together.
Fairness. Jurors declare any conflict of interest and do not score work by people they know personally. All scores and decisions are recorded in Picter. The jury’s decision is final.
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Belfast Photo Festival has been a registered charity in Northern Ireland since 2015 (NIC102819). We exist to advance public education in and access to photography, bringing free exhibitions and events to audiences in Northern Ireland and internationally, and creating opportunities for photographers at every level.
Entry fees are one of a broad range of income streams, alongside core funding from the Arts Council of Northern Ireland and Belfast City Council, project grants, partnerships and earned income.
Every entry fee goes directly into the Open Submission and the festival: exhibition production and printing, artist travel and support, jury fees, the submission platform, and promotion of selected artists.
The festival has also invested over £100,000 in artists’ fees since 2024, alongside support for artists’ travel and the production of their exhibitions.
Past and Present Judges Include:
Large Format Photography Exhibition.
Success Stories
Meet some of the photographers who won our open submissions in previous years, and see where their work has taken them since.
International Press Exposure
Open Submission artists have been featured in The Guardian, TIME Lightbox, the Financial Times, British Journal of Photography, Foam and The Telegraph. In 2026 alone, work from the festival appeared in The Guardian, The Irish Times, Creative Review, PetaPixel and L’Œil de la Photographie, and on BBC One’s Newsline.
City Centre building wrap.
Gallery Exhibition, Belfast City Centre.
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Open Submission 2027: Terms and Conditions
Belfast Photo Festival is committed to protecting photographers’ image rights.
These terms are an agreement between you (“the entrant”) and Photo Festival Belfast, trading as Belfast Photo Festival, a company registered in Northern Ireland (company number NI629769) and a registered charity (charity number NIC102819), whose registered office is at 21 Ormeau Avenue, Belfast BT2 8HD (“the Festival”, “we”, “us” or “our”).
Please read these terms before you upload any image. By entering, you agree to them. If you don’t agree, please don’t enter.
1. Key dates
1.1 The 2027 Open Submission opens on 23 October 2026 and closes at 11:59pm GMT on 5 February 2027. Entries received after the deadline can’t be considered.
1.2 The early-bird fee applies until 11:59pm GMT on 27 November 2026.
1.3 All entrants will be notified by email in late March or early April 2027.
1.4 The festival runs from 3 to 27 June 2027, launching on 3 June. Some exhibitions may run longer, depending on the venue.
1.5 All dates and times in these terms are UK time.
1.6 We may extend the deadline. Any change will be published on the Festival and Picter websites.2. Who can enter
2.1 The Open Submission is open to photographers, artists, curators, archives and collectives worldwide.
2.2 Entrants must be 16 or over on the date of entry. Entrants aged 16 or 17 need the consent of a parent or guardian, who must give their name and contact details as part of the entry.
2.3 Collectives, duos and groups enter as one nominated entrant and payee. The nominated entrant confirms that they have permission from all members to enter on their behalf.
2.4 [Festival staff, trustees and jurors, and their immediate families, may not enter.]3. How to enter
3.1 All entries must be made through our Open Submission platform on Picter, with all required fields completed.
3.2 Each entry may include up to 15 images from one series or body of work, or one photobook as a PDF. Image specifications are set out on the entry page.
3.3 Previously exhibited, published or awarded work and work in progress are both eligible.
3.4 You may make as many entries as you like. Each is a separate entry with its own fee.
3.5 An entry is accepted only once payment is complete.4. Fees and refunds
4.1 The fee is £22 per entry until 11:59pm GMT on 27 November 2026, then £26 per entry until the deadline. Fees are charged in pounds sterling. Any conversions shown are for guidance only.
4.2 Fees are non-refundable once your entry has been submitted, except where the law requires a refund. By submitting, you ask us to begin processing your entry straight away, and you acknowledge that your right to cancel ends once the entry has been submitted. [Confirm this with Picter’s checkout wording.]
4.3 Fees support the Open Submission and the delivery of the 2027 Belfast Photo Festival. Belfast Photo Festival is a registered charity (NIC102819).5. Your work and other people’s rights
5.1 You confirm that you created the work, or are authorised to enter it, and that co-authors and original sources are credited.
5.2 You’re responsible for getting any releases or consents needed for people, property or third-party material in your work, so that it can be exhibited and published.
5.3 You confirm that our use of your work as set out in these terms won’t infringe anyone else’s copyright or other rights.6. AI and image-making
6.1 You must declare, when you enter, whether generative AI was used to create or substantially change any image, and how. Standard editing (exposure, colour, cropping, retouching and dust removal), whether using AI tools or otherwise, doesn’t need to be declared.
6.2 We may ask any entrant for original camera files (RAW or unedited) or source material at any stage.
6.3 We may disqualify an entry, or withdraw a selection or award, if undeclared generative AI use is found, or if originals can’t be provided when requested.
6.4 You remain responsible for confirming that you hold the rights needed for any AI-generated or AI-assisted elements, under section 5.7. Copyright and use of your images
7.1 You keep copyright in your work at all times. We will never ask you to transfer it.
7.2 All entries: you give us permission to share images from your entry, credited to you, on Belfast Photo Festival’s social media and website while the call is open, to promote the Open Submission. Being featured doesn’t mean your work has or hasn’t been selected.
7.3 Selected entries: you grant Belfast Photo Festival a non-exclusive, royalty-free licence to reproduce your selected images, name, captions, biography and portrait to exhibit and promote the 2027 festival and the Open Submission, in print, online, press, broadcast and social media, before, during and for [three] years after the festival, and in the Festival’s archive indefinitely.
7.4 Our funders, sponsors and partners may use selected images under the same licence, only to promote Belfast Photo Festival or their support of it.
7.5 Your work will always be credited. We won’t sell your images, or use them on merchandise or in advertising unrelated to the festival, without your separate agreement.8. Selection
8.1 Every eligible entry is reviewed by the jury. Selection is made by the jury together with the festival curators, as described in How we select entries.
8.2 The jury’s decision is final, and we can’t give individual feedback.
8.3 Selected artists and award winners will be announced on the Belfast Photo Festival and Picter websites and contacted by email.9. Exhibition and production
9.1 Selected artists must supply high-resolution files and project and biographical information promptly when requested.
9.2 The Festival will produce selected work for exhibition, including outdoors, at no cost to the artist. The method of production and display is at the Festival’s discretion, and we’ll involve artists where relevant.
9.3 We may decline to exhibit work if the files supplied can’t meet the print quality needed for exhibition.
9.4 Selected work may be shown at [additional venues or partner exhibitions, including Photo Schweiz 2027]. We’ll tell you before your work is shown anywhere other than the Belfast festival.10. Photobooks
10.1 Selected photobooks must be supplied professionally printed and bound, suitably packaged, and must reach the Festival by 1 May 2027.
10.2 Shipping to Belfast, insurance, and the cost of return are the entrant’s responsibility. Books on public display may show wear.
10.3 The Festival will arrange packaging and courier collection for the return of photobooks after the exhibition.11. Travel and visas
11.1 Selected artists may receive a contribution towards travel to the festival opening, at the Festival’s discretion and within its budget.
11.2 We’ll provide visa invitation letters on request but can’t guarantee the outcome of any visa application.12. Prints after the exhibition
12.1 Prints produced by the Festival may be collected by the artist after the exhibition, in person or by transport the artist arranges and pays for, by a deadline agreed in advance.
12.2 Prints not collected by the agreed deadline will be responsibly recycled or disposed of.13. Withdrawal and cancellation
13.1 If you can’t exhibit as planned, please give us as much notice as possible, and at least two months before the festival launch.
13.2 We may withdraw a selection or cancel an exhibition if an entry breaks these terms or is found to have brought the Festival into disrepute.
13.3 If a selected artist is found ineligible or declines an award, the award may be offered to another entrant.
13.4 If events beyond our control affect the festival, we may change venues, dates or formats, and will tell selected artists as soon as possible.14. Data and privacy
14.1 Belfast Photo Festival is the data controller for your entry information. Picter processes it on our behalf. See our privacy policy and Picter’s privacy policy.
14.2 We use your details to manage your entry, contact you about the Open Submission, and announce selected artists.
14.3 We’ll send you newsletters and marketing only if you opt in separately. You can unsubscribe at any time.15. Liability
15.1 We’re not responsible for entries lost or not received because of technical problems outside our control.
15.2 Nothing in these terms limits any liability that can’t be limited by law.16. Governing law
16.1 These terms are governed by the law of Northern Ireland, and disputes are subject to the courts of Northern Ireland.
Questions? Email info@belfastphotofestival.com.
“The UK and Ireland’s largest photographic festival is back.” British Journal of Photography
Early bird: £22 per entry, until 11:59pm GMT on 11 December 2026
Standard: £26 per entry, until 11:59pm GMT on 5 February 2027